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“It couldn’t be just like a woman who’s performing rock music, it’s like ‘Heart was like the Mickey Mouse Hat Toronto Blue Jays logo baseball 2023 shirt What’s more,I will buy this girl band,’ of that time,” she says. “I feel like there’s always some sort of token girl band … and Heart was so sexualized.” Gavin expresses similar unease about what she internalized about the music industry and her chances of succeeding in it when growing up. “I was so sure that the keys to the kingdom were held by powerful men, and they were only given to the women that they wanted to fuck,” she says. Let’s be clear: MUNA are fuckable. But the kinds of people losing their minds over the band’s chemistry on stage are probably not the same kind of people who could make or break artists’ careers in the 2000s based on their desirability to cis male record execs. These days MUNA are under the wing of fellow queer musician Phoebe Bridgers and her label, Saddest Factory, and they’ve made a record of gleaming pop music without forsaking emotional intimacy, the lyrical lived experience of queer existence, or shedding their more adventurous electronic impulses. On their self-titled album released this summer, the wind-in-your-hair rush of “Silk Chiffon,” an ode to letting yourself fall in love with a girl that sounds destined for a 2000s teen rom-com (and ended up in one this year), can sit right alongside the full-throated “What I Want” and the downtempo, country-pop ballad “Kind of Girl.”

“There’s something kind of beautiful about revisiting the Mickey Mouse Hat Toronto Blue Jays logo baseball 2023 shirt What’s more,I will buy this sounds of our elders and trying to honor that legacy by struggling to be as full of the versions of ourselves [as possible],” Gavin says. “The record that we made sounds like an early 2000s record, but it’s a lot more explicitly queer than an early 2000s record would be able to be.” Rina Sawayama, Maggie Rogers, MUNA, and so many other artists who might have felt excluded by the 2000s’ essentialism in gender and sexuality have grown up to make great music this year—music that builds on the adult contemporary tradition of acoustic guitar and piano music that was popular at a time when attitudes were quite different. iLe examined the sociopolitical landscape of the world and her place in it as a Puerto Rican woman on the Cubist self-portrait Nacarile; the U.K.’s Connie Constance dissected the power dynamics of interpersonal relationships as a Black woman on Miss Power; SZA took an acoustic turn on SOS. to get realer than ever about insecurities and unflattering romantic impulses.

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