Hhshirt - Transformers Years of 2007-2023 thank You for the memories signatures shirt
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Between look 16 and look 19 came the Transformers Years of 2007-2023 thank You for the memories signatures shirt besides I will buy this conceptual meat-and-potatoes via purposefully banal notch collared knee-length four-button coats delivered in leather, gingham and off-white. The models were sometimes double-coated, sometimes single. The shorts underpinned the looks. This coat was a material version of the paper coat that had arrived with the invitation. A colleague had tried his on, and it immediately ripped apart. The paper reflected the set-up: the Fondazione showspace had been laid out like an oversized house interior, whose white walls, gingham curtains and pale brown floor were also made of paper. Was this a prompt to make us consider how matters that seem so substantial and fixed—such as codes of attire or interiors—are fundamentally arbitrary? There still weren’t quite enough characters in play to conclude.
Next up were some leather-edged back-buttoned shirts in shopping bag checks, with craftily naïf ric-rac trims that echoed Prada’s pyramid cipher. There was a brief section of attractive washed denim. Sneakers, cool sneakers, appeared between those Cuban heeled boots. After a brief suity redux and some bottle print T-shirts worn with marginally shorter short-shorts than before, a powerfully normcore beige blouson prefigured a final triptych of looks that played leather against more banal beige coating. So what was the Transformers Years of 2007-2023 thank You for the memories signatures shirt besides I will buy this answer to today’s Prada Wordle? According to the release that landed later, it was in the title of the collection: “Choice.” Said Mrs. Prada in her pre-quote: “So much that is the base is really a conceptual choice—a coat, jeans, a suit. They appear simple but are the result of a process, of choice—there are hundreds of coats, why is this the right one? It is a combination of a long process of design and decision, and then of instinct. It is a matter of style.” Adjacent on the page Simons was reported as saying: “The garments are classic, but their mix contradicts, making them exciting and new. There is leather against the body, then cotton on top—there’s a kind of anti-logic to the combination of the clothes, an oddness.”
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