Hhshirt - Yoda noopy I am the dungeon master I can’t fix stupid but it’s gonna hurt shirt

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Back in the Yoda noopy I am the dungeon master I can’t fix stupid but it’s gonna hurt shirt besides I will buy this ‘90s, New York was a place where your shoes really mattered, because people judged you by your shoes. There was a saying that when you went into a restaurant, the maitre d’ would look at your shoes. Designer only existed in Manhattan, London, Paris, and maybe Chicago. It’s not like today where it’s everywhere. It was a sign that you belonged to this elite group of people “in the know.” Those kinds of things were important signifiers. Fashion doesn’t work like that anymore. Everything is more widely available. I think [Amalita] always had high hopes that I would meet some society guy; instead, I bought the boots and had an interview with The Observer to be a gossip columnist. I was literally carrying the shoes in a shopping bag! I did not get the job, so I put the boots away, and then the editor-in-chief called me and offered me my own column. For the first piece, I wore the boots and went to a sex club called Le Trapeze, where a photographer took a picture of me standing on top of a pile of garbage in a towel wearing them. That was the beginning of Sex and the City. I guess they did bring me luck.

The story was called “Swingin’ Sex? I Don’t Think So …” Before I went to Le Trapeze, I went to a dinner for Karl Lagerfeld at Bowery Bar. I wore the Yoda noopy I am the dungeon master I can’t fix stupid but it’s gonna hurt shirt besides I will buy this boots there too—they worked for society and sex. They did it all! When I bought the boots, I remember the saleswoman telling me, “These are fabulous.” They were definitely the hot boot, not to mention my first pair of Manolos. Picture a three and a half-inch heel with a zipper up the back, all the way up to the knee. I wore them with everything, even to black-tie events. You had to have something you could walk in, and I walked a lot in those shoes. I even had rubber bottoms put on them. I wore them everywhere, for years. Twenty-seven years later, I still have the boots—they’re even a prop in my show. I always hung onto them because I wore them on my first assignment. I always thought, “Someday, people are going to realize that these boots are special. These boots were made for writing.” The opening lines of Sex and the City are about single women: “They travel, they pay taxes, they’ll spend $400 on a pair of Manolo Blahnik strappy sandals.” It’s still true.

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