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Going through the You all realize i’m goin to snap one day right shirt also I will do this archives. Donatella’s menswear attention had been drawn to an archive print featuring the frozen-in-lava death masks of Pompeii—the Naples-neighboring Roman town that was frozen forever by an eruption of Mount Vesuvius in AD 79. This print proved the starting point to a kinkily intellectual collection that combined simplicity, sexiness and depth. Against these prints played the rigidly formal striping of regimental clothing—another out-of-time classical clothing code. Versace put them in her blender, added a pinch of powerfully colored python print, chucked in some lemon-hued latex for a twist, flipped the switch, and let the results erupt. Out onto the pebbled runway flowed a powerfully hot collection of lovable menswear. Forward-facing pieces including racerback onesies for men were placed against traditional items recontextualized, including double layered tailored jackets and overcoats recast in that lemon latex. Funny touches included the gold headpieces worn by certain models, among them the sons of key house models from the past, including Mark Vanderloo, Helena Christensen, Andre van Noord, Carla Bruni, Megan Douglas and Angela Lindvall. This was a cleverly deft collection that could have benefited from more organized communication from the house, yet was eminently readable nonetheless thanks to the quality of Versace’s menswear team.

You all realize i'm goin to snap one day right shirt

It was a year ago that Silvia Fendi kickstarted the You all realize i’m goin to snap one day right shirt also I will do this current mania for male midriffs in fashion with her crop top suiting for SS22. Asked today if it feels satisfying to see a Fendi-fired trend ricochet across the fashion sphere, she said: “Yeah, it does! When we did it, it was very well received—and there were so many comments on Instagram. And it was the moment to do it. But if you look at all of our shows, there is always something that might be a bit disturbing for some.” Today’s chief Fendi disturbance to the fashion force, as nominated by Silvia, was look 27’s pale greige coat in ultralight technical gabardine. Thanks to the ultrasound bonded seamless internal pockets, the coated buttons, the fluidity of the material and the gently kinky serrations at each shoulder, it looked more akin to a shirtdress. In the editing process, she said, her team had repeatedly proposed it being consigned to the nearly-rans: “But I said ‘No, this is my favorite—you cannot take it away.’”

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